Shivkumar J – The New Indian Specific


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On the latest trailer launch of the a lot awaited KGF Chapter 2, director Prashanth Neel proudly introduced that he has labored with the perfect technicians on this planet for the movie. There is no such thing as a doubt that chief amongst these technicians is artwork director Shivakumar J, who is likely one of the strongest pillars of this Yash-starrer.

Yash in a scene from KGF – Chapter 2

The state award-winning director, who earned his tremendous arts diploma at Chitrakala Parishad, made his debut with Ravichandran’s directorial Aham Premasmi (2005). After working in over 30 movies, Shivakumar gained his second state award for KGF Chapter 1. Giving credit score to our crew who labored extensively and creatively labored collectively to carry the imaginative and prescient of the movie to life.

Speaking in regards to the recognition of the movie, Shivakumar says, “The KGF set has grow to be a milestone now, and folks typically make their technique to these locations within the state.” This recognition additionally interprets to expectations, and Sivakumar assures us that the paintings in KGF Chapter 2 might be 10 instances larger than within the first movie. “It’s not that we now have determined to mount the sequel in a giant manner solely after the success of the primary half. It was all the time within the script from the creating stage itself,” he says.

For Shivakumar and the crew, KGF was their second residence from the time they began engaged on the units. Sharing the working technique of KGF Chapter 2, the artwork director stated that Prashant Neel gave time to showcase his creativity and by no means pushed him previous the deadline. “On our first day of labor, Prashant stated ‘we are going to begin capturing solely if you end up achieved with the set work and design’ and it allowed us to enter a number of element. In reality, I believed we may do our job in 1.5 months. can full, but it surely took us three,” he says.

After constructing round 20 massive units and 15 small units for the movie, Shivakumar says the set’s design is unique and never impressed by some other movie. “We studied and watched documentaries, and accordingly, we deliberate the units. Each paintings seen in KGF is unique and one thing that won’t be seen in any of the earlier movies. Now we have provide you with a number of idea sketches. We made certain that our artworks give scope to cinematography as properly.” Says Shivakumar, “We’d typically focus on with the director in regards to the actions to happen in a selected set, and we plan and work on it accordingly.”

Shivakumar says that a number of improvisation has been achieved for KGF Chapter 2. Describing the tone used within the movie, he stated that the darkish shade in KGF was given to point out the ache that the working class goes by way of. “I’ve notably thought-about Dutch artist Rembrandt’s lighting strategies and shade mixtures, that are very dramatic. Each paintings at KGF seems to be like a portray, but it surely additionally has business parts.”

Discussing his working relationship with Prashanth Neel, Sivakumar says, “Creating an even bigger canvas for KGF was potential due to the director’s creativeness and the help of producer Vijay Kirangadur. Since Prashant Neel had studied his movie in depth, it got here as a bonus to us. He’s a director with readability and had clear directions about what he wanted. We did not discover it tough as he gave us the suitable inputs.

Revealing an fascinating element in regards to the paintings of KGF Chapter 2, Sivakumar says, “Now we have prevented plastic in our artworks, apart from just a few objects like the phone. As a substitute, we purchased second hand military tents to construct a labor colony. It was additionally necessary that the costumes worn by the artists had been in step with the background. Shivakumar additionally remembers how the climate typically turns dangerous for KGF Chapter 2.

“Rain will mess with our plans. Typically we had been unable to investigate the free soil, and created obstacles whereas erecting the granite stone set. Rain will moist the set, and the colours will fade. It was tough to carry again the identical units as a result of the paintings couldn’t be achieved mathematically. We won’t provide you with the very same setup each time. However we now have managed to attain the perfect,” says Sivakumar, “Every part about KGF felt easy as a result of we had enjoyable engaged on it. All the teachings I realized as a tremendous arts graduate got here in helpful whereas creating the world of KGF. ,

Shivakumar, who’s planning to observe the movie within the first present on the primary day, says that each the KGF movies had been by no means one-man reveals. “Till the success of KGF, the artwork division was not widely known. Right this moment a number of significance is being given to the inventive facet of movie making. I’m grateful to all those that introduced us to the entrance line.”



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